In an attempt to secure a sponsor, an unlikely group of Cuban refugees become a "family" as the U.S. Immigration and Naturalization Service gives families priority over others. In the process, a political prisoner who hasn't seen his wife for twenty years and a disaffected sugarcane cutter fall in love. An excitable brother and a lovestruck cop contribute to the general confusion. The inevitable humorous romantic entaglements ensue as a final confrontation is set up.—Tad Dibbern
In 1980, USA opens to Cuban refugees. Once in Miami, Dorita tries to create a Perez "family" of 3 to get a sponsor. She wants Juan to be her "husband" - plus a "son" or "dad".